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VORBRENNER is a contemporary art platform that promotes process-oriented work across all disciplines and genres. It offers short-term opportunities for collaboration for both collectives and individual artists in search of new insights and contemporary forms of expression that engage with an interdisziplinary concept of art and science. The focus is on a movement that is curious, experimental, researching, and developing, that welcomes the unfinished, the paradoxical, and the fragmentary. For exploratory trials of such nature, VORBRENNER provides the BRUX premises along with infrastructure and financial resources.

"I am outside of it in the land of NOPE."
E. Jane

Archive

Immersive Ton(I)

Jan Contala & Philipp Schwaderer
07.-26.04.2020
Licht- und Ton-Installation
BRUX Freies Theater Innsbruck

        Immersive Ton (I) is an interactive light and sound installation that invites viewers to engage with the floor as an interface, enabling them to shape the audiovisual experience through their movements and postures. This setup allows participants to create a personalized environment that transforms into a dynamic audiovisual display, encouraging collaboration among multiple users to craft a unique soundscape. Movement and sound are processed in real-time, resulting in evolving abstract graphic projections. The outcome is a fluid, ever-changing visual that mirrors the sonic interactions, contributing to an immersive experience filled with spherical sound, light, and movement.
        The concept behind Immersive Ton (I) is to provide an interactive space where users can collectively create a shared audiovisual aesthetic. By erasing the boundaries between reality and imagination, the installation fosters spontaneous communal experiences. Information from the physical space serves as signals for the virtual space, which in turn influences the real world through light and sound – creating a digital-to-real feedback loop.

        Jan Contala & Philipp Schwaderer

        beide leben in Innsbruck. Derzeit studieren sie Architektur im Master an der Universität Innsbruck. Während dem Studium entwickelte Sich ein gemeinsames Interesse am experimentellen Generieren von Formen. In ihren Arbeiten beschäftigen Sie sich mit den Dialogen natürlich-künstlich, digital-analog und virtuell-real.

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